North American Club Tour
Toronto, Canada
April 28, 1998
Updated May 2, 1998
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North American Club Tour
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Check Out The Reviews And Set Lists Page Tori performed her 7th concert of the North American club tour in Toronto, Ontario Canada on April 28, 1998 at the Phoenix.  Set ListBlack Dove (January) 1st Encore: God 2nd Encore: Tear In Your Hand ReviewsFrom Jess (As posted to the rec.music.tori-amos newsgroup)May 2, 1998 - First of all, the set list posted at www.tori.com for this show is wrong (As of 6 PM May 1 anyway.) The correct set list is contained in the comments below. It was a beautiful day in Toronto, sunny with moderate temperatures. The very gracious, interesting, mysterious, and beautiful Sabine the Diva Chick shared her tickets with me as well as putting me up for the two nights I spent in Toronto. We got to the Venue about 3:45 and joined the folks waiting for seats/Tori's arrival. It was a mellow and well behaved crowd, at least until Tori arrived shortly before 5. Then it was the usual crush of people trying to see and speak to Tori. She looked fantastic. Her hair had more curl than on MTV Live and she seemed well rested. When asked, she said it was because she had a fun day off "with my husband." Yay Tori. Doors were supposed to open at 6:30, actually it was about 6:45 when they began letting folks in. The security guys at the Phoenix were very nice to Sabine and me, lifting and carrying her scooter (~200 lbs) up two short flights of stairs. We staked out a position in the front row, just to the right Tori's spot on stage. Within 15 minutes, we were packed in so tightly that there was no moving for the rest of the show. It was so tightly packed and so hot that there were people passing out before the opening act was over-not something that should happen in April in Toronto!! David Poe took the stage shortly after 9PM (That's right 9.) The long wait between doors and David contributed to the heat problem-keep some space around you if you're going to one of the remaining shows. David Poe is really growing on me as a performer. Both Sabine and I enjoyed his set. He joked with the audience, changed a guitar string on the fly, and was quite good. I have his CD and his limited vocal range and expression detract from what has become an engaging stage presence. The couple of girls standing behind me also commented, "I'd do him." Tori came on shortly after 10:15PM. As usual, the first song was Black Dove (January). In the shows since I saw her last, she and the band seem to have become more at ease with each other and it shows in the performance of the new songs especially. iieee-I really like this one. It seems that the iii and ee background vocals are programmed into Tori's keyboard-two keys are marked with orange and green tape and she uses those keys to play the background vocals. Precious Things-Tori and the band seem to be adjusting to the older songs too. The drums especially are more flexible. Liquid Diamonds-Very melodic with the piano more up front and center than many of the new songs. Doughnut Song-Tori opened with "Hi everybody, how are you tonight. So thanks for being patient with so much new material, you've been really great. Anyway, how's it going, pretty good? I played here a long time ago, didn't I-like in Little Earthquakes, yah." An audience member then shouted out "Live here." To which Tori replied,
"Live here, you mean in this club like every night? She then introduced the band-and called Caton Steve! He did a double take
and she corrected herself "I never call him Steve-he's Caton to me." She
called her drummer "this wonderful being that hits things."
Some of the old songs have started to come and say Errrrm uhhh...
And then played the song-starting out mostly piano and voice with the band
becoming more prominent as the song goes along. I love the way an acoustic
bass is played with a bow during this song.
Jackie's Strength-Tori started with "This next song is off the new
record-it's about a girl getting lost on her wedding day. It's a very
special song to me 'cause I could have been that girl."
Spark-Very good as usual.
Mother-The band left the stage and Tori said they were going to have a
beer now. She asked why some people were behind a fence and when they
shouted that they couldn't drink, she said "...that's shitty. I think a
little wine is good for everybody."
Someone shouted out a request for Blood Roses. Tori's response, "Fucking
hell." She promised to play it sometime (on the summer tour) but said the
purpose of the private time was to bring it down. She said she didn't
remember it because she hadn't played it in two years. Then she said (like
she did in Atlanta) that she has "the mind of a goldfish." She says that
she has to have people tell her "Your name is Tori, you play the piano"
every day when she wakes up. Great version of Mother.
Baker Baker-Some people passed out during Mother and were carried out in
front of the stage. Before she played Baker Baker Tori told the crowd if
they begin to pass out to raise their hands and the security people would
carry them back stage and then they could see how gross it was back there.
Unfortunately, people continued to pass out from standing for so long and
the heat during this song.
Northern Lad-Band comes back for this one-it's a great song with the piano
very prominent.
Horses-I just love this new version of the regular (almost throwaway) song
from the DDI.
Cruel-Also very good-much more the techno rocker with Caton really wailing
on the guitar. The band tends to carry the music for parts with Tori
concentrating on singing and interacting with the band.
Waitress-There were so many problems with folks passing out that Tori
reached out to the crowd and passed her bottle of Evian Water-asking people
to share it-and we did! I even got a sip of it. This seems to have become
the closer for the regular set-and is a very haunting and powerful version.
Encore
God-I just love this with the band. I didn't get to hear it on the DDI
tour and I know people didn't like the backing track on UTP. This way it
rocks, yet is very grounded on the earlier version. The band allows Tori
much more freedom to inject feeling with pauses, etc that were lacking with
the backing track. She added an improv that have a bluesey feeling that
show a new side of Tori's voice. Love it
Cooling-The band went off for this one. I'm glad this song made it as a b
side and she's playing it-it is a great song. Fun to have a "new" two year
old song.
Tear In Your Hand-Rather than the usual break for a second encore, she
waved the band back on stage (prolly because of the heat, possibly also
because it was about midnight) and they launched into this. In some ways
this reminds me of Harry Chapin closing a show with Circle-I'm not sure
why, but is a slower tempo version and kind of sums up the night and says
goodnight-gets us ready for the show to end-and the band helps in this.
Just the perfect finishing number to a fantastic show.
After the show, the security guys were again very accommodating in carrying
the scooter down to the street. While waiting for them I got to say Hi to
Caton and see Joel as upset as I have ever seen him-apparently some girl
had tried to make off with a tour pass. While they would be a great
souvenir, it would be a big security breach and possibly put Tori in
danger. I'm glad she's got Joel and that he cares as much as he does.
Bring Joel Oatmeal Raisin cookies (soft baked please) and tell him the
reddish bearded older guy appreciates him.
Sabine and I then proceeded to explore her neighborhood and find a bar
still open. After a long hot night, an adult beverage certainly hit the
spot. Dinner at an all night restaurant and back to her place. I was
amazed to see that it was 4:20am. A 13 hour concert experience. We spent
the rest of the night on an emotional high from the concert, and talked
until I had to leave for the airport. Three commuter flights and one real
jet flight later I was home again.
It was a great show and I met and got to know a fantastic Tori fan.
Couldn't ask for much more. May 2, 1998 - I arrived at the Phoenix at about 8:45AM, to meet two
great people already waiting in line. By 9:30 we had
been kicked off the property and formed a line out on
the sidewalk, where the eventual crowd would start to
form at around 11:00PM. The day was hot and long, and
it felt like an eternity before Tori's bus arrived at
5:00PM. I met her then, and offered her a strawberry,
which she refused but thanked me "for thinking about
her". She signed my 'Caught a Lite Sneeze' promo but
I made a point to ask her "Tori, would you please sign
my CD" in a very polite way. She was very friendly and
seemed geniunely interested in meeting everyone there.
The show just about knocked me over once it started.
It was LOUD. 'Precious Things' took on absolutely epic
proportions with the help of her rock-solid rhythm
section. The bass effects and rough playing on Cruel
blew me, and my bass player pal in the audience, away.
I was front-row, dead-center, and distinctly heard her
comment "Fucking hell..." to someone that requested
Blood Roses; she probably responded this way because
there wasn't a harpischord to play the damn song on.
Apparently someone didn't recall she needs one for it.
She did, however, promise to play it "next time". :)
Tori's voice was dead-on and I didn't hear any hint of
her supressing her range or volume like at some shows.
Being directly in her line of sight at the front row,
it was very easy to communicate with her. I smiled
and gave her nods of affirmation whenever she did
something new that was really cool, and we several times
traded smiles when something was really rocking out.
It was great to feel that interaction... thanks Tori.
Tori reached out to the front row before the first
encore, and I squeezed her hand tight, and felt the
metal of her very nice ring (sigh) under my finger.
She looked at us so much, and would sometimes flip
her gaze up and randomly nail one of us. I was just
slain anytime she caught my eye like this, of course.
Yum. She shared her Evian with us once we promised to
share, as several people had passed out. Note to fellow
Tori fans -- remember to DRINK AND EAT if you plan to
wait in line, or you will dehydrate and lose energy and
PASS OUT during the show, missing everything you just
waited hours for!
Finally, a message to Lori, who posted here: Security,
and Joel in particular, TOLD us to not move if we were
at the front while Tori was signing autographs. I was
going to move back when Joel very sternly asked me to
not move or try to leave before she was away from the
barriers. So please don't be too hard on us, because
we were told to stay put even though we wanted to let
everyone in the back take our places at the front. Oh,
and to Tony... the device used on the guitars is called
an "E-BOW" -- it vibrates the strings with magnets. I
recall the Smashing Pumpkins are obsessed with them.
Read all about it at http://www.ebow.com/ sometime. :)
It was an incredible and emotionally draining show. I
won't easily forget it and thank Tori (once more) for
being so friendly and attentive to her audience. April 30, 1998 - John Sakamoto wrote a review of the Toronto show for the Jam! web site. I found it most interesting. You can read it online here. April 30, 1998 - Toronto was an incredible show, as I'm sure they all have been in their own ways. What a day.
My comrades and I arrived in Toronto (travelling from Rochester, NY)
around 2:30. We made quick allies with the folks we met who were
waiting in line near us. Everyone I talked to was so very kind.
Tori came out before her soundcheck, and she talked to those fortunate
enough to race up to the front of the barricades. I was a little
disappointed that things were't as organized as they were at some of
the Dew Drop Inn tour's soundchecks where everyone stood in line and
took a quick turn talking to Tori. Still, there were so many more
people here this time it would have been impossible. Seeing the
faces and hearing the delighted squeals of those who talked or hugged
her was all I needed.
The Phoenix is an absolutely BEAUTIFUL theatre. Big, beautiful
white marble sculptures on the walls, bizarre chandelier-things. A
wonderful ambience for Tori's show. It was almost like the place
was meant for her. During the show, someone yelled out to Tori,
"LIVE HERE!" and she responded, "You mean I should play all of my
shows here? Make everyone travel here to see us play?" She seemed
amused at the idea. Tori remarked that she loved this theatre,
and that she thought she'd been there on the Little Earthquakes tour.
I have to throw in here that it didn't quite make sense (at least
to me...possibly to many of the evening's attendees) for the doors to
open at 6:30, making everyone wait 2 and 1/2 hours pressed up against
each other before David Poe came on. I mean, I'm assuming that most
of the people who were going to be there were there by 6:30 or 7:00.
People wanted a good view, so of course they're going to get there
early. I think the reason so many people passed out is because they
had to stand in claustrophobia for such a long period of time.
David Poe. David Poe. (sigh) You need to move out of New York City.
Its going to kill you. I REALLY liked 75% of David's music. He has
a strong, beautiful voice, and he writes some beautiful melodies.
But, MAN, I couldn't handle his "we broke up and I wish you were dead
and your heart is stone and I'll kill you myself" songs. I understand
the concept of using songwriting as a kind of therapy. But it seems
like David, every time he sings these lyrics, he's still reeling in
these negative, destructive feelings and it is very difficult to
listen to. He could take a lesson or two from Tori in how to take
these feelings, put them into song, and come out on the other side in
a more contemplative, more productive manner. Some of his songwriting
just isn't healthy. Hopefully, this is a phase. He's definitely a
singer/songwriter who's career I'll pay close attention to. Assuming,
that is, that he stops writing the psycho-killer songs. Great guitar
playing though. Can anyone tell me what that little device he used
on his guitar during "California" to produce the ambient, looped
effects which he played along with? Caton used one too. If you know,
e-mail me. I want one!
Tori and the band kicked my butt 'til it was sore. From my position,
3 bodies from the stage, the connection she made with the crowd was
amazing. She seemed so joyful...I think that's the best word. She
looked like she was having such an amazingly good, chocolate-covered
time. Black Dove (January) was my favorite of the new songs, hands
down. Wow. Not much more I can say about that one. She played
Mother during our "private time" which was one girl I did not expect
to show up. (sighhhh)
An amusing exchange with the audience:
Tori: "How are you all doing?"
Audience member: "We can't drink."
Tori: "That's a shame. I think wine is good for everyone!"
Overall, I have to say that Tori's voice is stronger, more pure,
more beautiful than I've ever heard it. It makes me so happy to
know that as time goes on she's surpassing herself by leaps and
frigging bounds. The new songs...I need to spend more time with
them. I hadn't heard any of them (save "Spark") until last night,
and a live concert is definitely a difficult way to get acquainted
with a boxcar of new material.
Some people regard Tori's shows as religious experiences. Some are
even so dedicated that they make pilgrimages from all over the country.
And I wonder if most people realize what it is that's happening that
makes it such a spiritual experience. Sure, people love the music and
are touched by it in a myriad of ways. And Tori gives so much to her
fans, more than any other performer I can think of. But there's
something more going on, I've realized.
What she's doing is taking the concert experience and turning it into
a religious ritual. Between Tori and the audience, this powerful
love-energy is raised all through the show. And like in any ritual,
there are times when the energy must be raised, and there's times when
the energy must be grounded. And that's why after playing some of her
harder songs at the beginning she laughed at a request for "Blood Roses"
from the crowd during Private Time because it was too frenetic a song...
she needed to ground all the excited energy in the theatre, which she
did with Mother. And if you think about the energy centers on the body,
chakras, whatever you want to call them, the energy from Tori's music
hits you in all of them. It hits you in your heart, or it hits you in
your butt during a funkier number, or perhaps a turn of a phrase hits
you in the stomach like a truck because you relate to it in your real
life. But no matter where the energy hits you, its always coming
straight into your mind, your soul. And one can't help but become
contemplative during some of these songs...because everyone can relate,
in some way or another, to the words she sings. And because of this
love-energy that radiates in the theatre, I think the idea is that
anything can be accomplished. Lives can be changed because of the
energy and the thoughts and the connection. Think about it.
My thanks and my love to everyone nearby last night (Lindsay, Avril,
Jess, Sabina...) and to those whose names I don't remember who were
kind enough to enquire whether my girlfriend, who passed out near
the end of the show, was all right. April 30, 1998 - What else can you expect to hear other than the show was incredible! Tori's voice was clear, crisp and very sharp. There was no strain or
pulling back of the vocals last night. The whole fear of the band's
presence "taking away from the intimacy of Tori's shows" was unfounded last
night. The band played really well with Tori and the audience really
enjoyed them. Of course, we did enjoy our "secret time" with Tori - solo.
You already know the play list so I'll just comment a little on the songs.
Black Dove (January) and iiiee: great songs, kinda dark and funky!
Precious Things: always a fave! The crowd went insane and she was totally
into the groove this early on in the show. She introduced it as a song that
wanted to come out and play amongst the new ones. She also said something
about forgetting how to play some of the songs because she hadn't played
them in so long.
Liquid Diamonds: new Tori sounding great
Doughnut Song: I've waited for so long to hear this live. I was not
disappointed. The band added a new layer to one of my fave songs. That
voice on "Come in Houston", oh that voice!
Jackie's Strength: this is the one song that I'm so looking forward to.
What a beautiful song! She introduced it as "a song about a girl who got
lost on her wedding day...er...I coulda been that girl."
Mother & Baker Baker: you really don't realize how beautiful these songs on
till you hear them live again! She forgot the lyrics in the middle of Baker
Baker and asked for our help. We sang a little bit and she remembered again
only to forget again. As she was re-forgetting she ad-libbed "and I forgot
the words but you all still came. Maybe we could change your mind." She
fumbled around it a little before she finished it perfectly. At this point,
the girl in front of me screamed out for her to play "Professional Widow"
and she responded with a laugh "You're fucking kidding!! This is our down
time."
Northern Lad: great, great, great
Horses: I would love to have this version on cd. The additional lyrics and
musical reworking make it feel like a whole new song. Very groovy.
Cruel & Waitress: Tori gets angry! Cruel sounded a little like God in the
beginning. Somewhere around this time Tori pulled out a big litre of bottled
water and had a sip. She then went to the edge of the stage and handed the
bottle to someone with the instructions that everyone was to share it.
Amazingly everyone did as about 15 or so people had a sip and eventually
someone behind me got a souvenir water bottle.
1st Encore: She's Your Cocaine and God. God was funky! Really funky!! I
read that She's Your Cocaine wasn't played but I can't remember if it was or
wasn't - I've never heard it. Before she started singing she took a really
deep breath in a very laboured way and mumbled "I need an oxygen tank" as
she sort of tried to clear the air. I got the impression that she was
referring to the cigarette smoke in the air. Shortly thereafter some people
had to be carried out due to exhaustion or dehydration. Tori requested that
if anyone was ready to pass out, to let the security know so that "they can
take you backstage and you'll get to see how gross things are back there".
2nd Encore: Cooling & Tear in Your Hand: Cooling was so completely
unexpected and having never heard it I was very grateful to hear for the
first time ever - live! Someone requested it earlier in the meet and greet
and she introduced it to us as " This is a B side that I don't think I've
ever played before but someone asked for it and here it is". ( I think she
forgot about Miami.) I'm getting that B-side immediately. Tear in You Hand
was like an old friend coming to visit after a long time and it was so
welcomed to be there. That is still a beautiful song.
Overall, a completely amazing show. Tori just gives it all she's got and
you cannot leave disappointed. I was not thrilled about standing in line
for so long (since 3 pm) and then getting in at 7:30 pm, standing till Tori
hit the stage at 10:20 pm but it was all worth it. Tori and the band were
in top form and it was only their seventh show but they were all clicking
really well. Fortunately I was close enough to see all the private smiles
and winks and "thumbs up" they were all giving each other during the show.
It was nice to see them all just so happy on stage and it came through in
the performance. It was so worth it, numb legs and all. This is a word to
the wise. If you guys really want to enjoy the show, do yourself a favor
and get some sort of hearing protection. The music is so loud and distorted
(if you're up close) that you need some sort of filter. I know that it's
not a "cool" idea but the ringing in your ears right now is a sign that
maybe you've experienced some permanent hearing loss. Also, if you smoke,
try not to or cut back when and if you see Tori. Remember that she's also
breathing this air in and she's working her lungs twice as hard singing and
playing at the same time. The smoke apparently affected her last night. I
just thought I'd get that in there for her sake. If I remeber more, I'll
let you know. p.s. Don't forget to check out www.canoe.ca April 30, 1998 - during baker baker, tori graciously forgot the words to the song. She first forgot the words 'Baker Baker' which could have been an
accident, as she cupped her hand to her ear to find the words from the
audience. When tori continued into the verse she got confused and
jumbled the words. Tori took it in stride, "why don't we try that one
again" she spoke while continuing the song with the correct lyrics. i
guess even goddess's get the words wrong sometimes. April 30, 1998 - Last night was the most incredible, wonderful, emotional experience in my life. I don't think I've ever cried like I did last night.
First off, my best friend Katie and i got to the Phoenix at 12:00 noon. We
waited in line until about 4:30pm. when Tori's tour bus pulled in. Everyone
ran over to the barricadesbefore me though and I was at the back so I
couldn't get to meet Tori (at least not yet :) She came out and looked
absolutely beautiful. She signed lots of autographs and I passed mine up
and got two pictures signed! Then we moved over to the other side and I got
a perfect view, snapped a few wonderful pictures. Tori did the cutest
things at this meet and greet. She asked some person at the back to throw
over a picture for her to autograph and when the person did, it hit a girl
in the face. Tori did such a cute little expression and said "oh we can't
have that, are you okay?" Then Joel was pulling her to leave and they
disappered :(
Then Katie and I went back to our spots and found that about 30 people had
cut in line in front of us. We met these wonderful girls and they let us in
at the front with them. At about 6:30 they let us in to the phoenix. There
we stood (second row) for about 3 and a half hours in the hot, crowded
club. Everyone was complaining about the heat.
At 10:15 Tori finally came out! She was wearing a black shirt and some
brown khaki pants. Some of the songs I didn't recognize (the new ones) but
they were incredible. At one point two girls fainted and had to be taken
out. Then Tori passed down her Evian water bottle and let us all have a bit
of it at the front. I actually got a sip of the goddesses water :) When she
sang Baker, Baker she messed up the lines a bit and let us sing along to
help her. It was beautiful. She also said that she remembered playing at
the Phoenix in 1992 for Little Earthquakes and loved it there. She said
somethings about Americans and how we don't want them in Canada, it was so
cute :) Also, during the whole show she did these little dances to the
music...
After the show me and Katie rushed out to meet her again. This time we
were second row. When Tori got to us I burst out crying and I asked her if
she got our presents (we gave her some faerie stuff and tickets to Katie's
play for Apr. 29th) she said she looks at all the presents on the bus.
Katie said "We gave you the play tickets" and she said "Oh, of course I got
those! But you know I'll be in Detroit that night" and then she said "Touch
fingers, touch fingers!" and she touched her pointer finger to Katie's.
Then she said "SO you'll be on stage and I'll be on stage and we'll both do
our best. We may fart, but we'll both do our best". I was absolutely
bawling at this point and she touched my head and said "You guys are so
sweet".
She also signed my two Cd's.
It was the greatest night. Tori was great and we met some wonderful
Toriphiles. Unbelievable. April 30, 1998 - I am very tired. I have just got home and I'm going to sleep in
preparation for tonight's Detroit Show.
Here's what I remember
Tori played from 10:15-12 a.m.
Black Dove (January)
Doughnut song got to meet her before and after, got great pix and autographs....she
played with my spiked hair singing "la la la la la la la" April 30, 1998 - Hi mike; My name is Lori and I was reading your concert review for the toronto show last night and I thought I would drop you a line.
Last nights concert was the first time I saw TORI AMOS in concert but I
have followed her faithfully for about 6 years now. And the only thing I
have to say is to all the TORI AMOS fans, Be more compassionate to your
fellow ears with feet. I found myself unable to touch her, talk to her, get
a good view of her, and getting an autograph. We need to share more at her
shows, if you've been in the front row for sometime move back and let
someone else enjoy her close presence, and if your standing in line and you
already have her autograph stand back and let other people stand forward so
that they can get an autograph too. I love TORI AMOS and her show was the
most spellbinding and hypnotic experience of my life but I'm a little upset
that a room filled with TORI AMOS fans are not as caring, sharing and
compassionate towards each other at her show, and one of the many things
that TORI is about is love and respect each other. So for all you TORI fans
out there that are going to her show in the future get what you came for
and let other people get what they came for because everyone comes to her
show for different reasons but the one thing that she gives us relentlessly
is the answers we've been looking for and the voice to let us be heard.
Fellow Ears With Feet; Lori April 29, 1998 - Hey Mike, It's 1:11 am and I just got back from Tori's show at the Phoenix.
Hear's the buzz:
I went to the Phoenix at 11:00 am thinking I would be the only one.
Thankfully fans had already been lining up for the show. I waited all day,
the first highlight was being able to speak with Tori as show came to the
club to do a sound check around 5:00. I took an entire role of film of her
talking and hugging her fans. I can't wait to get the pictures back.
Tha doors opened around six thirty and we all crowded into the club. Many
people like myself had been there all day and were exhausted but the
security people wouldn't let anyone sit on the floor. The show didn't get
on it's way untill 9 o'clock with David Poe. I have to say he wasn't my
cup of tea, but he had a really strong voice and was extremely quick in
replacing a broken string.
Tori took the stage at 10:15, as the band was preparing for a mass shift
happened in the audience and a lot of shorter fans got blocked off by some
giants. I tried to help two four foot tall girls get around this massive
giant of a guy but he litteraly told us to get lost and called the girls
bitches. Some people just never learn.
Many people passed out during the show (I guess from exhaustion) there was
about five people altogether, and Tori made a joke to the audience to raise
our hands if we thought we were going to faint and security would take us
back stage so we could faint at the sight of the mess back there.
During the tour bus encounter from the afternoon Tori was asked to play
Siren and Cooling. She wrote the requests onto her hand. During Cruel she
sang the line "don't ya know ya gonna lie to you" which is ofcourse from
Siren. One of the encores was Cooling, which she had trouble remembering
the words to.
One special moment was when Tori opened her bottle of water and after
hearing the groans of the audience she passed the bottle out to the crowd
making them promise to share and pass it around. The fans were very
cordial about the whole thing and the water got spread far and wide.
I once helped a girl buy a dress at the store I work at. Luckily she was
working the bar that evening and remembered me and was able to get me one
of the lobby posters. Note the set list said that Cocaine was to be one of the encores but it was
never played.
Mother and Baker Baker were played during what Tori called "time for us to
get personal" an fan requested she play Cornflake Girl and she laughed "you
fuckin' kidding me--this is our down time"
It was a great show, a little hard on the feet but a great show April 29, 1998 - Hey man! Awesome evening in Toronto - we thought that we had arrived late but Tori but we didn't miss a breath. We caught 20 minutes of
David Poe - not bad tunes at all. Tori went on at 10:15 WOW!!! What a
wicked time, the music was fab & the light show RULED! April 29, 1998 - I just got back from the Toronto pre-tour show; which was
amazing!!!!!!!!!! I met her for the first time today and had a nice
little conversation with her. She told me that the book she was reading
right now is called "the Fool's Crow" which is available at Barnes and
Noble (sp?) in the U.S. Just thought I'd share this info with you and my
fellow ears with feet.
Walking on a cloud, |
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